The new film by Yeon Sang-ho, best known for Train to Busan (2016), broke multiple records while raising more existential questions about filmmaking under the current conditions of the Korean cinema industry....

Korean romantic comedy dramas have their own enemies: dramatic clichés, also known as K-drama rules, that operate to make rom-coms predictable while simultaneously rendering them recognizable products,...

The title evokes the promise of a disaster film, one in which catastrophes—natural or man-made—strike with force to test human resilience under extreme conditions. The poster, meanwhile, carries the aura...

Premiered at major international film festivals, Good News has been gathering momentum as one of the more distinctive black comedies of recent Korean cinema. The film revisits the real-life hijacking of...