The title evokes the promise of a disaster film, one in which catastrophes—natural or man-made—strike with force to test human resilience under extreme conditions. The poster, meanwhile, carries the aura...

Premiered at major international film festivals, Good News has been gathering momentum as one of the more distinctive black comedies of recent Korean cinema. The film revisits the real-life hijacking of...

Can a film be bad and good at the same time? Or can it be singular in intent while multiple in form? No Other Choice, which premiered at this year’s Venice Film Festival, invites such contradictory assessments....

The long-anticipated remake of Save the Green Planet (2003), Bugonia, has finally been unveiled to audiences. Early reviews vary widely—from comparisons to Ari Aster’s COVID-era western Eddington (2025)...