Korean romantic comedy dramas have their own enemies: dramatic clichés, also known as K-drama rules, that operate to make rom-coms predictable while simultaneously rendering them recognizable products,...

The title evokes the promise of a disaster film, one in which catastrophes—natural or man-made—strike with force to test human resilience under extreme conditions. The poster, meanwhile, carries the aura...

Premiered at major international film festivals, Good News has been gathering momentum as one of the more distinctive black comedies of recent Korean cinema. The film revisits the real-life hijacking of...

Can a film be bad and good at the same time? Or can it be singular in intent while multiple in form? No Other Choice, which premiered at this year’s Venice Film Festival, invites such contradictory assessments....